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Big Trombone

Big Trombone was an urban media art installation at the Big City Lights Festival, 2024. This experimental multi-channel projected image and spatial soundscape was a hybrid form of urban acupuncture, a civic hack in public space that aimed to supplant the humdrum of everyday urban existence. Big Trombone’s immense disfigured imagery and reverberating rhythms emanated from Regent Lane, spilling into Southport, a Central Business District of The City of Gold Coast, to create new energy and demonstrate the possibilities of what might otherwise be missing.

History

ERA Category

  • Recorded/Rendered Creative Work - Film/Video

Funding type

  • Public funds

Eligible major research output?

  • Yes

If not major research

  • Major Research

Research Statement

Background Big Trombone is an urban media art installation that used projected imagery and generative audio to critique the top-down transformation of the public sphere mediated by technologists, urban planners, and the private sector corporate agenda (Habermas 1992). This research is situated within the discourse surrounding media art as interrogator of sociotechnical urban change in the so-called smart city (Ag et al. 2016) and civic hacking as resistance to the commodification of the public sphere (de Waal and de Lange 2019). Contribution Big Trombone rejected standardised models of aestheticism associated with public art commissioned by city officials, usually centred on visual spectacle for economic value. Instead, its distorted soundscape and immersive 300-square-metre visual field enhanced the cultural value of its public reception site and the local community's well-being through a unique form of urban acupuncture. Big Trombone provided citizens with cathartic relief from the logical flows of city life by interrupting the pragmatic and mundane nature of day-to-day life in the urban environment with an irrational urban experience. Significance Big Trombone was selected by Rosie Dennis, the Artistic Director of Placemakers Gold Coast, for the Big City Lights Festival. It was exhibited in the Southport CBD from June 21 to July 7, 2024. The festival, attended by more than 15,000 people, was presented by Experience Gold Coast, The City of Gold Coast, and the Queensland Government through Arts Queensland, part of the Department of Treaty, Aboriginal and Torres Strait Islander Partnerships, Communities and the Arts.

Publisher

Big City Lights Festival

Place of publication

Gold Coast, Australia

Confidential / Culturally sensitive

  • No

Copyright notes

© Peter Thiedeke, John Ferguson, Christopher Stover

References

Ag, Tanya Ravn, Susa Pop, Nerea Calvillo, and Mark Wright. 2016. What Urban Media Art Can Do, Why When Where & How. av edition. de Waal, Martijn and de Lange, Michiel. 2019. "Introduction—The Hacker, the City and TheirInstitutions: From Grassroots Urbanism to Systemic Change.” In The Hackable City, edited by de Lange, Michiel, and Martijn de Waal, 1-17. Vol. Book, Whole. Singapore:Springer. Habermas, Jürgen, Thomas Burger, Frederick Lawrence, and Ebscohost. 1992. The structural transformation of the public sphere: an inquiry into a category of bourgeois society. Vol. Book, Whole. Cambridge, UK: Polity Press.

Medium

Multi-channel outdoor projection mapped video and spatial soundscape

Size of work

30 metres w x 10 metres high

Number of discrete components

1

Length of recording

10:40

Date of recording

June 2024

Duration of performance

The work played as 00:10:40 loop over four hours per night (Friday, Saturdays and Sundays) for three weeks.

Estimated size of audience

15,000

Authors of work performed

Peter Thiedeke, John Ferguson, Chris Stover

Exhibition date from

2024-06-21

Exhibition date to

2024-07-07

Was the work disseminated?

  • Yes

Form of dissemination

  • Public performance

Scope of dissemination

  • State

Did the work go on tour?

  • No

Name of commercial distributor

Experience Gold Coast

Location of work

Regent Lane, Southport, The City of Gold Coast

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